caitlin hill and the little red hearts

What a great idea! The seasons!

(Source: v-e-r-o-n-i-c-a)

simena:

Torsten Wasastjerna

(via womenreading)

(via nebraskka)

(Source: mintcatsix, via nebraskka)

plusnowhere:

Desktop

northmagneticpole:

Margiela

(Source: bombayblack, via v-e-r-o-n-i-c-a)

birdonwing:

myanathema:

Giulio Aristide Sartorio, Diana di Efeso e gli schiavi, 1895-1899, olio su tela, 304 x 421 cm, Galleria Nazionale d’Arte Moderna e Contemporanea, Roma

[transl. title - Diana of Ephesus and the slaves]

Terrifying.

weatherbeatensoul:

dancingwithtthedevil:

sleepinglauren:

Photographer Lalage Snow takes pictures of soldiers’ faces before, during and after the war in Afghanistan.

jesus christ

still one of the meaningful pictures on tumblr for me.

(via -siriuslyblack)

Yes!

(Source: random-impressions, via justmakebelieve)

“

Robert Rauschenberg. Canyon. 1959. © 2012 Museum of Modern Art. Photo by John Wronn

Canyon belongs to a group of works Robert Rauschenberg made from 1954 to 1964 known as Combines, which artist Jasper Johns once described as “painting playing the game of sculpture.” These works epitomize Rauschenberg’s philosophy of an art from which nothing is excluded as a potential material. Canyon’s most remarkable element is a stuffed bald eagle that projects from the lower center of the canvas. The bird perches on a cardboard box, which in turn sits atop a long wooden plank, from which hangs a strip of fabric supporting a pillow. Other materials include a metal fragment, several photographs, a shirt cuff, and a squeezed paint tube. “Painting relates to both art and life,” Rauschenberg famously stated in 1959. “Neither can be made. (I try to act in the gap between the two.)” A newly donated work to the collection, Canyon is currently on view in the fourth-floor Painting and Sculpture Galleries. ” - “This Month at MoMA - December 2012

It does take a while to even acknowledge the textures. The bird looks like brush strokes.